In its final season, Comedy Central’s Review is as funny as it is horrifying

Permit us to at all times do not forget that Andy Daly is a comedic treasure.

Every Sunday, we determine a model new episode of the week. It might presumably be good. It might presumably be unhealthy. It’s going to on a regular basis be attention-grabbing. You’ll study the archives here. The episode of the week for March 18 through 25 is “"Co-host; Ass-slap; Helen Keller; Forgiveness,” the second episode of the third season of Comedy Central’s Review.

It didn’t take prolonged for Comedy Central’s Evaluation to go from farcical comedy to full-on existential catastrophe.

Forrest MacNeil (Andy Daly) is thesupernaturally earnest host of Evaluation, a fictional actuality current that sends him off to analysis experiences his viewers are interested in, the upper to look out out if, in Forrest’s phrases, “life itself” is completely even “any good.”

Since Evaluation — the true Comedy Central sequence, not the current inside the current — premiered in 2014, practically every one in all Forrest’s critiques has taken a poignant and/or really horrible flip, regardless of the topic materials. Equally horrible life experiences from season one included “going to space,” “eating 15 pancakes,” and “divorce.”

Now in its third and supreme season, Evaluation finds Forrest having devoted himself so completely to his job that his life has spectacularly fallen to gadgets spherical him — a reality he practically wears as a badge of honor, as a result of it proves his dedication to the supposed craft of life reviewing. The second season ended with Forrest tackling his producer Grant (James Urbaniak) off a bridge; the third picks up with Grant adjusting to life as a paralyzed particular person and Forrest doubling down on his mission.

Should you occur to’re any individual who doesn’t watch Evaluation and needs affirmation of your suspicions at this stage: Certain, Evaluation may very well be very uncommon and darkish. However it certainly’s moreover very humorous, even — or maybe notably — when oblivious Forrest makes a whole mess of the whole thing.

Nevertheless whether or not or not you’re new to Evaluation or a longtime Forrest fan like me, "Co-host; Ass-slap; Helen Keller; Forgiveness” (whew, what a title) is an fascinating chapter that performs with the current’s pointers — and it nonetheless manages to be about as marketing consultant a chapter of Evaluation as we’re ever going to get.

Forrest loses web internet hosting duties for a scorching second — and it reveals exactly how single-minded and weird his methodology has been this entire time


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Forrest and a buddy, in happier events.

Correct off the bat, this episode upends your full development of the current when Forrest will get a request to analysis the experience of being a co-host. As he’s pondering his selections, his chipper co-host A.J. Gibbs (Megan Stevenson) leaps on the chance to swap places, sitting Forrest down in her swivel chair as she marches out into the world to sort out the following requested analysis (“What’s it like to slap a stranger’s ass?”).

Forrest has spent the last few years of his life committing himself so totally to his current that he obtained divorced throughout the first season and (by likelihood!) killed any individual throughout the second. At this stage, his psychological state is, uh, not on the perfect of footing. So watching A.J. stride off to do his job as a result of the current’s crew breaks for lunch spherical him sends Forrest proper right into a minor tailspin, leaving him to wander spherical backstage and never utilizing a clue of what to do with himself.

In the end he wanders into A.J.’s dressing room, the place her partitions are plastered with footage of her and her many, many mates hanging out, skydiving … you already know, actually having enjoyable with the life that Forrest’s made it his job to analysis from a skeptical distance.

A couple of hours and quite a few wardrobe modifications later — such is the duty of being a co-host — Forrest meets A.J. after she’s achieved her analysis. (In a splendidly meta Evaluation joke, Forrest’s commonplace voiceover and A.J.’s momentary host voiceover overlap loads that neither is totally understandable.) Nevertheless as a result of it appears, she checked in with herself and her boyfriend and realized she felt gross about the complete factor — so she merely didn’t do it.

“Slapping a stranger’s ass would’ve made me disrespect someone I knew, someone I didn’t know, and someone I just got to know a little bit better: me,” A.J. says solemnly into the digicam, as Forrest gapes. Not doing the analysis isn’t one factor he ever considers, because of for some motive Forrest treats this job as sacrosanct obligation and by no means, you already know, a actuality TV gig.

A couple of of Evaluation’s most interesting moments have come out of the excellence between Forrest’s notion of how important this current is and the perceptions of the bewildered of us spherical him watching him burn his life down throughout the establish of study — and this smaller-scale second isn’t any exception.

Reviewing what it’s want to be Helen Keller turns into a whole and full(ly horrifying) farce

At this stage, it’d be fallacious of me to not level out that there are few individuals in comedy now or ever who’ve made me giggle pretty like Andy Daly. The individual is singularly devoted, throwing himself merely as arduous into the job of portraying Forrest in all his absurdity as Forrest himself does into his work as a result of the host of Evaluation. Every time Forrest indulges a further scandalous analysis or finds his sanity slipping away in pursuit of nailing down a star rating, Daly finds a model new choice to make it hilarious, even after I’m watching him through my arms.

In that vein, we have got the analysis for “Helen Keller,” an issue that forces Forrest to be deaf, blind, and mute. Evaluation doesn’t make delicate of her battle; Forrest has a hell of a time attempting to carry out the least bit, not least because of his snickering assistants put him in a (pretty good) Victorian lace robe that retains getting caught throughout the office elevator.

And since an episode of Evaluation wouldn’t be Evaluation with out Forrest reaching new heights of inappropriate conduct, his Helen Keller half moreover coincides with the day he has to supply his testimony throughout the trial for that (unintentional!) murder he devoted remaining season.

There’s no methodology I’ll describe the pure farce that is Andy Daly casting about in a witness subject in Victorian garb, so here is a visual help:


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Missed you, Evaluation.

(Forrest ends up getting acquitted after this second, on what must perhaps be obvious grounds.)

Forrest’s analysis of “Forgiveness” goes horribly fallacious in most likely essentially the most inevitable methodology

The episode that launched Evaluation from good to good was season one’s “Pancakes; Divorce; Pancakes.” The assumed harmlessness of eating 15 pancakes for the current — a exercise Forrest ended up hating with all his stomach-curdling could — was immediately chased with a gut-punch viewer request for Forrest to attempt divorce on for dimension. And he went through with it, leaving his beloved partner Suzanne (Jessica St. Clair), a name that set Forrest down the path of no return.

So when Forrest is tasked with reviewing “forgiveness” and goes straight to Suzanne’s residence, the fast assumption is that he’s about to ask her to forgive him not just for divorcing her for a TV current nonetheless for the quite a few, many egregious points he’s achieved to her since (see: catfishing, telling her he had thoughts most cancers when he didn’t, principally stalking her as she tried to maneuver on, and so forth).

Instead, he tries to forgive her.

As Forrest rambles on about how Suzanne not believing in his work hurt his feelings, her face tenses up in shocked fury (an expression St. Clair performs beautifully). So she responds with an exact itemizing of the whole thing he’s achieved to her and their life collectively throughout the establish of the current, a damning litany of truly bizarre points that moreover acts as a recap of the sequence on the entire.

Nevertheless in true Evaluation type, this second isn’t practically how ridiculous Forrest is. “You are not a person!” Suzanne lastly explodes at him, in full frustration. “You are a malfunctioning robot — and it’s sad, because you used to be a person.”

It’s a killer line, not least because of we viewers moreover keep in mind when Forrest MacNeil was as soon as a person, luckily married with a toddler and doing thoughtful life critiques on the aspect. Nevertheless no matter all the chaos and the really disturbing actions he’s taken since “Divorce” despatched him careening over the sting — even really, in the end — I can’t deny that watching Forrest MacNeil: Malfunctioning Robotic has been a much more memorable journey.

Evaluation airs Thursdays at 10 pm on Comedy Central.